{"id":1881,"date":"2025-01-31T08:25:26","date_gmt":"2025-01-31T13:25:26","guid":{"rendered":"https:\/\/ymoov.com\/?p=1881"},"modified":"2025-03-05T23:00:30","modified_gmt":"2025-03-06T04:00:30","slug":"primer-cero-temporada-2025","status":"publish","type":"post","link":"https:\/\/ymoov.com\/en\/primer-cero-temporada-2025\/","title":{"rendered":"Primer Cero – Temporada 2025"},"content":{"rendered":"
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\u00a1Pr\u00f3ximas funciones!\n<\/h1>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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6, 7 y 8 de marzo, 7:30pm Teatro l'explose<\/span><\/p><\/span>

Adquiere tu boleta aqu\u00ed<\/u><\/div><\/a><\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Primer Cero<\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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A transdisciplinary piece that integrates dance, science and technology and invites us to reflect on the conception of our Origin. <\/h2>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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Primer Cero refers to the primordial 'nothing' where the Whole inexplicably arose. It is an allegory to the singularity, from where the Big Bang postulates the universe was born. Peculiarity that is spoken of with the imagination, because reason has not been able to cover it completely. Any mathematical tool that has tried to tackle it has deconstructed itself into divisions by zero; divergences to infinity and all kinds of indeterminate results. An asymptotic nature enables one to be at the cutting edge without being directly defined. At this point mathematics gives way to poetry.<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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Primer Cero<\/b> is the result of a research process that began in the facilities of the\u00a0European Center for Nuclear Research<\/span>\u00a0CERN en suiza en septiembre del 2019, ha sido elaborado con el apoyo de\u00a0<\/span>Surat\u00f3mica,\u00a0Art@CMS en el CERN, el Ministerio de Cultura de Colombia y el workshop center Santa Maria en Francia<\/span>.<\/span><\/p>

Primer Cero<\/b> is an install-action, a term with which in Ymoov<\/b> we refer to an installation that has been designed to contain and function from a scenic act.<\/p>

It consists of a transdisciplinary Open Source<\/b> that integrates dance, science and technology which invites us to reflect on the conception of our Origin to confront the different perceptions that humanity has reached in its search for Reality and to question established positions to enable dialogue with new approaches.<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/section>\n\t\t\t\t

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Primer Cero<\/b> argues against a social structure that has stopped emphasizing questions that are supposed to be solved: Where do we come from? Who are we? Why are we here?... Going deeper into such essential issues could be the way to a free reflection outside of established doctrines.<\/p>

In Primer Cero<\/b> we conceive the body as our primordial unit of all interpretation and experimentation of the universe; then, when it comes to the origin, our most intrinsic reference will always start from the body itself. On the other hand,dance has been part of the history of humanity, manifesting itself as the artistic expression that uses the body to communicate, a universal language that maintains a permanent interaction with reality, seen from the context where all the sensations of the body are concentrated and materialized. .\u00a0<\/span><\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t

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Costume: \"<\/span>Mirror Dermis\"<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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We consider the first zero costumes, as an art piece in itself, inspired by the work \u00abWandering the immeasurable\u00bb<\/b> by the artist Gayle Hermick<\/b>, a sculpture that stands in Galileo Galilei Square in front of the Globe of Science and Innovation at the CERN facility in Geneva.\u00a0<\/p>

It is an allegory of how the metaphors and analogies that we use to interpret the universe (including mathematics) contain the immeasurable, despite existing only in our imagination; like the apparent enormous depth that lies in the dermis of a mirror that reflects a starry sky.<\/span><\/p>

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Costume: \"<\/span>Mirror Dermis\"<\/h3>\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t
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We consider the first zero costumes, as an art piece in itself, inspired by the work \u00abWandering the immeasurable\u00bb<\/b> by the artist Gayle Hermick<\/b>, a sculpture that stands in Galileo Galilei Square in front of the Globe of Science and Innovation at the CERN facility in Geneva.\u00a0<\/p>

It is an allegory of how the metaphors and analogies that we use to interpret the universe (including mathematics) contain the immeasurable, despite existing only in our imagination; like the apparent enormous depth that lies in the dermis of a mirror that reflects a starry sky.<\/span><\/p>

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We follow the path of Gayle Hermick<\/b>, which covers in his sculpture the main discoveries of physics throughout history and we redirect it to allude to the multiple paths we have taken in the history of humanity, when looking for an explanation of our origin; also including various ancestral Colombian cosmogonies and different parts of the world, of concepts that have been parallel, have evolved and are still preserved in our current visions.\u00a0<\/p>\t\t\t\t\t\t<\/div>\n\t\t\t\t<\/div>\n\t\t\t\t\t<\/div>\n\t\t<\/div>\n\t\t\t\t

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